Skateboard Trip: Tokyo → Choshi

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With an internet already filled with amazing feats of pushing through multiple countries and tales of sleeping under the stars and crossing Tibetan mountain passes, it feels almost a little pathetic posting about a sub 100k two-day trip, relying on hotels for accommodation and even a bit of taking-the-train corner-cutting on the way.

But hey, it was fun, hope to do more, and so I’m writing this down for my own future reference and for anyone else who’s ambitions are more in the realm of “what can I do on a weekend?”.

The Plan

Planning a skateboarding trip is really hard, as it’s difficult to predict surfaces, hills, traffic, and general “skateability”.

Worst case you’ll find yourself having to walk large parts of the trip, wreaking havoc on schedule (and feet.)

What I did was:

  • A few trial runs: 10k, 20k, 40k.
  • Set a rough distance based on that.
  • Used Google Maps to plan a route, get a feel for climbs, descents, and road conditions.

I settled on an (overly ambitious) 110 km course split across 2 days starting from the Tokyo Sky Tree Tower and ending at the Inubosaki Lighthouse on the East coast of Chiba, with a stop near Narita Airport in between.

Day 1: Sky Tree → Narita (56km)

I arrived at the base of the 634m tower around 9:30 in the morning:

After skating for a few hours, I realized the first in a series of mistakes I made during the trip:

Mistake #1: I’d started the trip too deep inside the city.

I’d gotten attached to the idea of going from one tower to another, but neglected to properly check the terrain of the first part of the trip.

In my head, I had pictured calmly cruising through rice paddies and rural vistas, but instead, I spent most of the first day skating Tokyo and Chiba backstreets trying to “escape” the city.

Only sometime late afternoon, the scenery suddenly changed and started to look more like what I had imagined.

I didn’t get to enjoy it for too long though, as I ran into:

Mistake #2: Underestimating the time needed, and how soon it got dark.

This was October, so I had noticed the days getting shorter but hadn’t cared to properly check the time of sunset.

As the skies started to turn orange and purple, what was meant to be an enjoyable cruise became a nervous race against time - one which I ultimately lost as the sun went down and everything went pitch black.

This brings us to…

Mistake #3: I hadn’t packed a torch or headlamp.

Without a reliable light source (I did give the flash on the phone a go) and not wanting to take the risk of skating an invisible and unpredictable surface, I was resigned to walking the last 3 hours or so.

Unfortunately, this also coincided with encountering a particularly drab piece of road that had me walking on the shoulder next to busy traffic.

Eventually, however, I started seeing low-flying planes on the horizon and knew I had arrived.

After buying some food at a nearby Thai restaurant (that only had reviews by aircrew members) and checking into the hotel (where the staff seemed perplexed that I wasn’t there to catch a plane), I watched half a movie and went to bed exhausted.

Day 2: Narita → Choshi (54 30km)

The next day, worried that I might once again have to race the clock, I left the hotel super early.

However, as soon as I set foot on the board, I realized my next mistake.

Mistake #4: Going too long on the first day.

I have a temperamental left knee, that will suddenly stop cooperating when put under strain.

I knew it might become an issue, but was disheartened to feel that it’d already manifested itself on the morning of day 2.

Having not invested in a drop down board (which seems to be the preferred choice for going long distance), pushing and braking takes a toll.

That meant the following stints became an unpleasant game of “knee management”, and I ended up walking/limping large stretches even though the roads were perfectly skateable.

In fact, the scenery had improved tremendously from the day before and was now quite pretty and varied:

I was now literally in the rice paddies, which meant some interesting surfaces to traverse, but generally was a ton of fun.

The combination of skating/walking/limping eventually got me to a small cafe where I had lunch and surveyed the road ahead on my phone.

I then realized to my dismay, that the bulk of the remaining trip would be similar to what I’d gone through the night before: Heavily trafficked roads with no real sidewalks or skate friendly lanes to speak of.

While an alternate route was possible, it would be a massive detour adding significant distance to the trip, and considering the state of my knee just didn’t seem like a reasonable option.

In other words, this was:

Mistake #5: Not properly planning the last leg of the trip.

I therefore begrudgingly decided to “cheat” by skating to the nearest town with a train station and essentially skipping that section of the plan, neatly slicing about 25k off the originally planned 110. 😅

This took me to Choshi station, from where it was a manageable 5 kilometers to the lighthouse, going through some pleasant rural towns and arriving at the coastline with the sun still up.

With that, there was nothing left to do, but to treat myself to a cup of coffee and enjoy the view of the ocean.

Map

The route I ended up taking looks something like this:

Skateboard Trip: Tokyo -> Choshi

Gear

Heavily inspired by this page, I probably went a bit over the top for two days 😂, but these are the things I brought:

Board

Pack

Supplies

Clothes (to wear)

  • Helmet
  • Wrist braces
  • Knee supporter
  • Trail running shoes
  • Montbell trainer
  • T-shirt
  • Undershirt
  • Shorts
  • Nylon Belt
  • Underwear
  • Smartwool socks

Clothes (in pack)

  • Packing cube for laundry
  • 2 Packing cubes for clothes
  • Montbell Storm Cloak wind breaker
  • T-shirt
  • T-shirt for sleeping
  • Lightweight hiking pants
  • Underwear (2 pairs)
  • Undershirt
  • Smartwool socks
  • Baseball cap
  • Sunglasses

Toiletry

  • Tom Bihn Travel tray
  • Toiletries case
  • Tissue travel pack
  • Microfiber towel
  • Insect repellent
  • Sunscreen
  • Toothpaste
  • Toothbrush
  • Eye mask
  • Ear plugs

Safety

  • Band aids
  • Flashing rear light
  • KT tape
  • Paracetamol
  • Vaseline
  • Face masks (4)
  • Hand sanitizer

Tech

Tools

  • Printed maps / reservations
  • Note book
  • Pen
  • Swiss Army Knife
  • Credit card
  • Cash
  • ID
  • Coins / purse
  • Spare Ziplock bags
  • Rubber bands
  • Parachute cord (about 5m)
  • Skate tool
  • Spare bearings
  • Bungee cords to hold skateboard
  • Carabiners (attached to pack)
  • Compass (attached to pack)
  • Wrist watch (attached to pack)

Should have brought

New album: Sands

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New album: Sands

Let’s be honest: I’m really bad at this social media/promotion-thing.

I’m here to tell you about the new album I made which came out…September last year!

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Balvig - Sands

For this album I had a lot of fun digging through old record shops in Tokyo - of which there are hundreds.

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It also coincided with the introduction of a “percussion wall” to the studio:

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The wall has been expanding since, and the album features lots of random acoustic instruments this time around:

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While the opening track “Bunkered” was started on a cool summer evening in Copenhagen, the bulk of the album was completed during a record-breaking heatwave in Tokyo.

The music has a decisively “summery” feel to it, so since I’m super late to announce it and you may just be finding out about it now, perhaps at least the timing will help you get in the mood for summer.

You can find the album in all the usual places.

Hope you will give it a listen, and see you back here in a few years!

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Balvig - Sands

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52 songs in 2014

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52 songs in 2014

I’m doing a thing this year.

I came across the site “weeklybeats” right at the beginning of the year and decided to join in on the challenge that is make a finished song every week this year.

Of course “finished song” is a bit vague and being unable to complete songs is historically a huge weakness of mine, but basically I’m trying to take every track through to the final stage of mixing and mastering each week. At the very least, hopefully by the end of 2014 there will be 52 ideas which Anders and I can perhaps turn into something.

So far it’s been fun and hard at the same time, in fact, the reason I haven’t written about it before is that frankly I wasn’t (and still am not!) really sure that I would be able to follow through. So far I’ve survived the first 5 weeks though so thought it might be about time I posted some of the results.

If you want to follow along and heckle me the easiest way is probably to either like the Sub Delay Facebook page or follow us on Soundcloud.

Anyway, here’s what has come out of it so far:

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The Sub Delay Soundbook

When you are not making a living from it, it can sometimes be hard to find time to make music. Moreover, just like sports or speaking a foreign language, if you stop doing it for a while it gets harder and harder to “get back in the groove” and produce good results.

So! Anders and I recently started a new experiment, as a means to "stay in shape" musically, and have a bit of fun at the same time: The Sub Delay Soundbook!

The idea is simple: Each week we take turns uploading a small recording of something (anything!) along with a picture of the sound source, and the other band member then has a week to create something vaguely musical based on that sound.

It is unlikely that any great art will come out of it, but if you’re curious check out how we are doing at book.subdelay.com!

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How to use BCR2000 as a step sequencer with Ableton Live

I’ve gotten quite a few questions on how to make a BCR2000 work as a step sequencer with Ableton Live as shown here.

Therefore I have decided to post the Ableton set I use:

Download bcr2000.als

I myself found the basics of this setup posted somewhere online so seems only fair I should share! I’m sorry but I forget where exactly I got it but thanks to whoever posted the original! :)

The “Steps” track sends MIDI to the Analog synth on track 3. By revealing the MIDI Mappings screen you can see how everything is set up. I use the top encoders on my BCR2000 to control pitch by setting all the encoders to CC 10 with each encoder on its own MIDI channel (1-8). Likewise the bottom encoders are set to control step velocity and step length on CC71 and CC74.

The “Lights” track sends midi messages to the BCR2000 to light up the toggle buttons at the top of the unit. Make sure “MIDI To” on this track is set to output to the BCR2000 on channel 1 and map the buttons so they are triggered by MIDI control 11-18. Hopefully with this setup you should be step sequencing in no time! :)

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Clocking

Midi clock to iPhone, iPhone audio clicks to sync in on Monotribe…surprisingly this works!

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UVB - full album available on SoundCloud

UVB is now available for streaming in its entirety on SoundCloud!

We spent a lot of time sequencing and connecting the songs with transitional music so even if you’ve heard all the songs in isolation please go and listen to the whole album from start to finish at least once!

…Or even better, get the album on iTunes so you can listen on your favorite music device and avoid SoundCloud’s annoying little gaps between the tracks ;)

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New album! Sub Delay - UVB

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New album! Sub Delay - UVB

As usual we took much longer than necessary to finish this, but at least it didn’t take another 7 years. UVB is released today!

The new album consists of 10 lost recordings that have been buzzing away from an old radio transmitter, buried under the ice for centuries (so the album blurb says at least). The songs are linked together with transitional music so you can listen to the album from start to end as one long track.

Starting from today, every 3 days we will be publishing a full length track from the album for streaming until finally the complete album is released. You can listen to the opening track: “What Lies Below” now:

And…for those who can’t wait, those who want to own their own copy of the music, or those who simply think we deserve a pat on the back for all those hours and money spent on this expensive hobby, the full album is available for purchase on iTunes from today!

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