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Field recording in Niseko, Hokkaido

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Field recording in Niseko, Hokkaido


For our new album I for some reason recently got obsessed with the idea of having sounds of snow and ice as part of the musical tapestry. This idea, and the promise of some great snowboarding conditions prompted a recent trip to Niseko in Hokkaido, the northernmost part of Japan.


Because of the recent earthquake in Japan, the Niseko area, which I'm told usually has a lot of visitors from Australia during the winter season, was more or less void of people.


A bit sad really, but it did make for perfect recording conditions, as my fumbling attempts at capturing the noises of creaking snow, melting ice, and northern winds were only interrupted by the odd croaking of a crow.


For the task I used my newly purchased M-Audio Microtrack II which worked out great, thanks to its small size and robust build which meant I could easily fit it in my jacket pocket and not worry too much about it - even while snowboarding!


We are now working on the final tracks to complete the new album and hopefully it won't be long before it can be released! For now, here's a tiny taster (which may or may not end up on the final version of the album) featuring the sounds of melting icicles:

Hokkaido by subdelay

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New track: Tremors

It's been over a week now since the massive 9.0 magnitude earthquake that shook Japan on March 11th.

I made this little track the day after the quake having just returned to my apartment in Tokyo following a night of very little sleep.

As usual the track is free to download in 192kps but should anyone want to purchase the higher quality versions I will donate all proceeds (however small or great) to Japan Red Cross .

Please also consider donating directly either by contacting your national Red Cross society or through Amazon .

Image credit: Poster by Zac Neulieb


New toy! Korg Monotron


New toy! Korg Monotron

Got my first ever analog synth!


Yes, the tiny (12cm x 7cm) Korg Monotron is a very humble introduction to the world of analog synths, but it is a lot of fun and I'm loving it so far.


Running on batteries with a built-in speaker it is great for annoying people with sound effects when bored, but even with it's single oscillator the little box is also capable of producing some incredibly warm sounds (with the right processing applied) as illustrated in this part taken from a new track we are working on:

Say hi to Monotron by subdelay



Recording session - Copenhagen 2010

Back from another trip to Denmark! Sub Delay hanging out

...where we once again managed to squeeze in a bit of music time into what always turns into a rather tight schedule whenever I visit home.

While working on a new track we were messing around with whatever noise making objects we could find (including some of Anders' son's toys) and I managed to capture the results on video:




3 new summer work-in-progress tracks

Summer is here!


...Which can make it hard to stay productive at times, as the warm weather and blue skies seem to command you to go outside, as if it were your God-given duty and obligation to nature to go and get a nice red sunburn as soon as temperatures rise above 30°C.

I have however (more or less) been keeping up my strict "make at least 1 track a week"-policy, which is something I started doing recently in an effort to stay in (musical) shape. It also allows me to spam Anders with MP3s every week, and he in turns sends back his ideas - a process that will hopefully speed up the completion of a new album!

Here is a sampling of 3 work-in-progress tracks that have come out of it so far:

Old Dusty Morn

Work in progress: Old Dusty Morn by subdelay


Work in progress: Weidlinger by subdelay


Work in progress: Nimyst by subdelay



Blast from the past: Derelict - Live at ABC Teatret, Copenhagen

Waaaaay back so long ago I'm not really sure when this recording is actually from we played a small 3-song set at a place called "ABC Teatret" in Copenhagen. A glance at Google Maps suggests that the place has since been converted to a fitness center so I guess we should count ourselves lucky for having had a chance to perform at what used to be an old theatre hosting some of Denmark's greatest entertainers. ABC Teatret

Although the timeframe is a bit unclear, what I do remember is that we had just begun working on the Subsidence album, and even though we hadn't actually finished a chorus for it yet, we decided to play Derelict as part of the set, instructing our vocalist (Karoline Porsby at the time) to just do some humming during the parts that weren't done. :D

Karoline, by the way, was extremely angry at Anders and I that day for having asked her drummer ex-boyfriend to perform with us but neglecting to tell her until minutes before going on stage...erm. :roll: Karoline, if you're reading this, we hope you have forgiven us by now!

All in all, as you can probably tell, great conditions for a fantastic performance. And the result was...well better than expected perhaps...? Anyway you can judge for yourself as a recent dig through my minidisc archive produced this recording from the show:

Derelict - OLD live version by subdelay

Not sure exactly why the ENTIRE MIX gets swamped in reverb near the end. Maybe the sound guy simply decided it was sounding terrible and tried to help us out by drowning everything in a cheesy room reverb? ;)

For a more recent live version of Derelict done in Tokyo, check out this version from "Live at Enyen"!



Studio tour: Tokyo

As Anders and I live in opposite ends of the world at the moment, we don't actually share the same studio and basically work on all songs by sending files back and forth over the internet. The end result is a mix of not only our different ideas but also of the different musical equipment we use in our separate locations. Today I thought I'd give you a little tour of my (rather unimpressive) home studio here in Tokyo and show you some of the gear I use on my side of the Earth!

MacBook, LED Cinema Display, Ableton Live

MacBook + LED Cinema 2

Thought I'd mention this first, as the fact of the matter is that over the years we have gone increasingly "virtual", substituting music hardware for their software-based counterparts on the computer. It makes things a lot easier when you're living in a tiny apartment in Tokyo!

Although our first productions were done on Logic, we switched to using Ableton Live when Emagic was bought by Apple and stopped supporting the Windows platform. (I have since converted to the Mac platform but that is a different story!)

Novation Remote 25SL

Remote 25SL

While having everything you need within the computer is incredibly convenient, moving dials and pulling faders using a mouse soon becomes tiresome, which is why I use the Remote 25SL to assign actual physical knobs and faders to control the software.

The 2-axis "joystick" on the left also comes in handy and was used to great effect on Inlet to create the swirling delay effects (heard throughout the track but easiest to pick out at around 1:00) by assigning one axis to an EQ and the other to control delay feedback.

Oh, and of course it also comes with a keyboard, which is useful when you are actually trying to play something. ;)

Novation Nova

Novation Nova

Although I don't use it as much as I used to, I still dust the Nova off and hook it up from time to time, mainly because it's so much fun to play with!

Most recently featured providing the bassline on New Skies (comes in at 1:41, with an additional saw wave added at 2:48), I often use the Nova for creating effects and pad sounds too.

Worst feature: Produces an annoying "beep" whenever you push a button, and you can't even turn it off!

Nord Micro Modular

Micro Modular

I brought this little red devil back with me from Denmark on a recent trip home, but haven't actually been able to make it work in Japan yet because of the difference in voltage over here...(will need to find a voltage converter or something).

The software for generating new sounds that comes with the Micro Modular is beginning to look a bit dated, but sonically it is still an excellent instrument for creating powerful sounds that really cut through the mix, such as the grungy lead on Sphoudeiko Part 1 (comes in at 0:35).

We also used it for the vocoder melody part in Derelict (at 0:30), the recording of which involved Anders holding a microphone and going "wuuuuuauaaababbbzzzzzzuuuuuueeeaaaaaaaa" for several minutes while I tried out different melodies.

Behringer BCR2000


I hardly ever use the BCR2000 for production but it is great for live performance and DJing (see it in action in Sub Delay Sessions 6). With all those lights and knobs it looks great in the dark and sometimes I switch it on just to look at it. :P

Sony MZ-R50 Minidisc Recorder


Okay, so this old gadget doesn't really produce any sound on its own as such, but it is what I used to capture most of the ambient sounds you can hear between tracks on Subsidence. Basically I would walk around Tokyo, Kyoto and Nikko with a crappy stereo microphone sticking out of my pocket and capture whatever came by.

I also have a ton of old Minidiscs containing recordings of old unfinished songs that can serve as inspiration when I get stuck. In fact, Beware was more or less entirely based on audio samples of an old version of Sentient.

Macbook + LED Cinema

...As you can see, not a whole lot of gear lying around, but I suspect it is only a matter of time before we become superstars and can afford to surround ourselves with tons of musical equipment. Hope to do another "studio tour" then! :P



Music we like: Best electronic albums of the past 5 years

(some of) my CDs

When we're not busy working on our own stuff, we do spend a lot of time listening to other people's music, which also serves as a constant source of inspiration for what we do in Sub Delay. Below I have collected what I (that would be me, Jens) find to be the best electronic full-length albums released in the past 5 years. These are basically 100% my picks so maybe Anders will tell you about his some day!

2006: Trentemøller - The Last Resort

Trentemøller - The Last Resort

Strangely enough, even though I bought this years ago, I only realized just how good fellow Dane Anders Trentemøller's debut album is, when I started listening to it again recently! But there is certainly no question about it, The Last Resort is a production tour de force, with every song oozing sound quality and attention to detail.

- "The Last Resort" on

2007: Dubfire - Global Underground Taipei

Dubfire - Taipei GU31

Despite releases from old favorites like Underworld and The Chemical Brothers, 2007 didn't really contain a lot of musical highlights for me personally (unless I'm forgetting something!), but this quality DJ mix album from Dubfire of Deep Dish certainly had me dancing on trains and sidewalks (mentally) for a while and has maintained a permanent spot in the limited 16 gigabytes of memory on my iPhone for some time now.

- "Global Underground 031: Taipei" on

2008: Helios - Eingya

Helios - Eingya

Ok, so this is cheating a bit. Eingya was actually released in 2006, but as far as I know didn't see the light of day in Japan until the Tokyo-based Zankyo Records picked it up and released it over here. This album, as well as Helios' other productions, is ridiculously beautiful and the organic sounding songs are great for chilling out to in a noisy metropolis like Tokyo.

- "Eingya" on

2009: Moderat - Moderat


Although I more or less randomly picked this up after only casually listening to it at a Tower Records store, every subsequent play through has just made me love this incredible album more and more. In fact, Moderat are one of the first bands to get me really excited about electronic music in a long time, and although 2009 saw other great releases from the likes of Röyksopp and Deadmau5, this album will remain my pick for the best electronic album of 2009 as well as being one of my favorite albums of all time!

- "Moderat" on

2010: The Chemical Brothers - Further

The Chemical Brothers - Further

It is only June and I just bought this about a week ago, but I am pretty sure that this will end up as one of the best electronic releases of this year. Although I honestly was a little bit disappointed by their previous effort, Further has 100% restored my faith in The Chemical Brothers, who surely are the The Beatles of electronic music, both in terms of sound and the amount of consistently awesome productions they do! I love hearing the warm, retro synth sounds on their albums and listening to their music always makes me wish I had more analogue gear than I do (...which is NONE by the way!)

- "Further" on</p?

That's it for now! Also of course, if you're into electronic music make sure to check out our albums below. Not sure if they qualify as "best albums" but still, you might hear something you like!



B-side: Progpop

For every track that makes it onto an album, there are about a dozen half-finished, work-in-progress, abandoned creations that never see the light of day. Among these are even a few more or less completely finished songs, that for various reasons just didn't cut it when it came to compiling an album. Never finished music ideas...

One of these is "Progpop" (we never thought of a proper title!) which fell through the cracks while we were working on Low Ground.

Although it had been featured in a couple of live performances and we even had a mastered version of it done ready for CD production, we decided to leave it off the album for various reasons:

  • Busy vocalist We wanted to redo the vocals done by Marie Jørgensen, since they had originally been recorded only as a draft to work from. Sadly, we had a hard time finding a day to match Marie's busy schedule and before we knew, it months had passed and all the other songs had already been finished... Bonus fact: Eventually we ended up using some of the additional lyrics we had written for the song on the track New Skies.
  • Never thought of a chorus Only the verses in Progpop contain vocals (partly related to the issue mentioned above!) so the chorus ended up being entirely instrumental, based around a lead made from the sound of a...reversed flute was it??
  • Too long The track is almost 8 minutes long!
  • Just didn't fit in As we were figuring out the track order for the album, we would every time end up having nowhere to put Progpop, and I guess we eventually just decided that it didn't fit in with the other songs.

In any case, you can listen to this track now, and optionally add it to your version of Low Ground should you think it deserved a better fate! ;)


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Work in progress: Gentle

Arrrgh! Sometimes making music can be really hard...

Depending on the track it might take you no more than a couple of hours to produce something that sounds decent, or it might take weeks and weeks (sometimes months, years!) of going through countless permutations of the same song, deleting complete arrangements and starting over again and again before you come up with a satisfactory result.

The track we are currently working on unfortunately falls in the latter category...Under the working title "Gentle" the song first came to life in Anders' home studio, where Anders produced a couple of initial drafts:

Version 1 First draft was based on a simple bouncy drum groove:

Gentle - Version A by subdelay

Version 2 Second version was more ambient with huge strings making up the bulk of the arrangement:

Gentle - Version B by subdelay

Version 3 Third version Anders returned to a more rhythmical groove:

Gentle - Version C by subdelay

...and this was the point where Anders felt he'd...had enough and decided to pass the track on to me. I personally really liked the first two versions and wanted to combine them somehow, but sadly a lot of the original elements where lost due to computer trouble, so I went to work with whatever was left and began adding some new elements.

Version 4 My first draft was a breakbeat driven affair which worked fairly well in the verse but sounded terrible once it got to the chorus:

Gentle - Version D by subdelay

Version 5 My second draft, the current version which...I am still not quite sure how I feel about! :/ It does have a "Sub Delay"-sound to it I guess (to the point of being "samey"??):

Gentle - Version E by subdelay

...Meh. Back to work!

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Sub Delay Sessions 6.0

Remember when Anders and I used to do something called "Sub Delay Sessions" where we would take turns DJing, streaming tracks live over the internet? ...No? Well, we did. And we're doing it again. Sub Delay Sessions

Without further ado then, feast your eyes (and ears) on my pink-shirted self below, as I work through the 6th installment of Sub Delay Sessions recorded earlier today. I'm particular proud of the part where I manage to stop the track that is mixed in, or the other part where the camera changes and you can't hear any sound for a while! :roll:

Sub Delay Sessions 6 on



Low Ground album cover variations

As always, we went through a couple of versions before settling on the final cover for the Low Ground album. Thought it might be fun to share them so you can see what the album could have looked like! Version 1 - Airplane

Low Ground - alternate cover v.1

The first version we experimented with was a picture taken by a colleague who is an avid amateur photographer in her spare time. The picture had a dark mood to it that I liked, but in the end we couldn't find a version of the picture in high enough resolution to be printed, and also we weren't entirely sure it suited the concept of the album so eventually we starting looking elsewhere.

Version 2 - People in the night

Low Ground - alternate cover v.2

Anders mentioned that when listening to the album he got the mental image of a city with blurred silhouettes of people. Don't ask. I didn't. Instead I went on a hunt across Flickr and came up with the picture above, which I believe is taken somewhere in Germany? (I am sorry, I seem to have lost the username of the photographer...If any knows, write a comment!)

However, we didn't feel completely comfortable using something that wasn't more...."ours", and so another couple of days passed as I began rummaging through my old photo archives.

Version 3 - Final

Sub Delay - Low Ground (Front)

We finally settled on using a photograph taken by me on a trip to Kyoto in Japan, showing a view of the city, famously surrounded by mountains, right after sunset. The photo was taken from "Kiyomizudera", a more than 1000-year old buddhist temple which itself is set on top of a mountain.

The temple is well known for having a large stage protruding out from the mountainside. It was traditionally believed that if you could survive the 13 meter jump from here, you would be granted a wish. The practice is now (obviously) prohibited, but in the Edo period more than 230 jumps where registered, of which about 85% actually survived the fall!

Anyway, we thought the atmosphere of the picture suited the music well, and were happy with the fact that it was something entirely of our own making, thus it ended up being the one we stuck with. Listen to the album here and judge for yourself whether we made the right choice! :)



Work in progress: Copenhagen Jam Session

Taking advantage of a rare opportunity to actually be in the same room, Anders and I cooked up this little dub-like track during my visit to Copenhagen last year. Copenhagen Jam Session by subdelay

Everything was basically improvised live on two computers running in sync (set up in Anders' living room). Although we started out having lots and lots of parts playing together all at once, after a bit of weeding out we came up with this rather sparsely instrumentated version.

Copenhagen Jam Session

Since this was done on two separate computers, we ended up each taking home "half" of the track (like one of those spy movies where two people hold a master key in order to prevent the accidental launching of a ballistic missile), but recently I finally got a chance to merge everything back together (missiles away!).

Whether this will ever be developed into a full length track is yet uncertain...comments are welcome! :)



All Sub Delay albums now available as CDs!

With the proof copy of Subsidence having just arrived this morning, all Sub Delay albums have finally been transferred to CD and are available for purchase now! Sub Delay timeline

I find it hard to believe that we have actually been able to complete 4 full-length albums and are now working on our 5th! And all this without ever making a dime...:P Well, it's been a fun ride so far. Who knows, maybe someday we will actually be able to play that concert at Wembley Stadium we have been planning since elementary school.

Sub Delay CDs

In the meantime, the CDs look awesome and are a great way to get a cool Sub Delay keepsake and support us at the same time, so head on over to the album section and grab a disc (or four)!



Low Ground - Brand new album from Sub Delay released!

Sub Delay - Low Ground After 7 years of silence (well, disregarding the two side projects "Live at Enyen" and "Zonelet") we have finally been able to release our desperate grip on 9 new songs and set them loose upon the world. Here is the track list for the new album:

  1. Sleep in Secret
  2. 100 Thirty Five
  3. 67 Times
  4. Hotand
  5. Smile
  6. Kiddo
  7. Slide Off The Map
  8. Surfing
  9. New Skies

Sub Delay - Low Ground

7 years is a looong time to work on an album, but I think we finally have the "how to make music while being separated by time and distance"-thing sorted now. Anders being based in Denmark and me (Jens) currently living in Japan, the making of this album involved a lot of digital data traveling back and forth over the internet web tubes and a lot of e-mail and skype-meetings. All vocals were recorded by Anders in Denmark and sent to me for further production, with the result that I haven't actually ever met any of the vocalists in person! I hope I will have a chance to put a face to the vocals sometime.

On that note, many thanks to all the musicians who participated on this release:

  • Jana Oberender
  • Marie Raabye
  • Anke Struve
  • Karen Poulsen
  • Joannes Holm
  • Christian Meyer

The album is available as a digital download from now so go check it out! CDs are currently in production and links will be posted on the site as soon as they become available.

...and on a final note, we promise, PROMISE, that the next album won't take another 7 years to see the light of day...:P



Sub Delay 3.1 released!

Hurray! The new version of I wrote about a while back is finally done. Visually I have kept it in the same style as the previous version so the overall feel of the site should be familiar, albeit with a few notable changes: All music is free album page

Yep. All of it. Full-length streams and downloadable 192 kps mp3 versions of all tracks are now available for free. Tracks can be downloaded individually or as an album package complete with full-color artwork. I encourage everyone to download and share the free mp3s with as many people as possible! Of course, for those who care a little bit about sound quality, high quality 320 kps and FLAC versions are also available as paid downloads, with CDs going to become available soon.

Blog & Twitter aggregation top page

Anything posted on the blog, Facebook or Twitter related to Sub Delay will be aggregated and shown on the site so you can also stay up to date with the latest Sub Delay news.

New artwork & albums

Sub Delay in iTunes

As mentioned, we are consolidating all our music under the name "Sub Delay" and the artwork for the albums has been redone to reflect this fact. The two Zonelet EPs have been combined into one full-length album including a new track "Inlet". Also, album covers are now embedded into the audio files so they look great when played in iTunes or on your iPod/iPhone/iThing.

iPhone optimized interface iPhone interface

I love my iPhone just as much as the next guy so it only seemed natural that the new site should support this format. Accessing the site with an iPhone or iPod Touch will present you with an optimized interface that takes advantage of the device's touch screen capabilities.

No more Flash

A bit ironic given it seems like only days ago I was writing about implementing the site using Flex, but even though a working Flash version was almost completed, after a while I realized that it would be much more efficient to do the whole thing in good old HTML (thus the 3.1 version number).

If you haven't done so already go and check out the new site (and music!) at (if the new version doesn't show up at first try refreshing your browser a few times).



Redesigning Sub Delay

With my new work schedule I have had more time to think about different things, one of them being how I can be more productive with my music making and also better promote the end result when Anders and I actually manage to finish a song. The album that we are just finishing up now has been in the works for about 6 years -  way too long to have been working on the same batch of songs! Of course, it is not like we have been working non-stop, on the contrary jobs and other commitments preventing as from focusing on the music is probably one of the major reasons why it has taken us so long (or maybe I should only speak for myself here!)

I personally am trying to rectify this with a changed weekly schedule but there is another issue that needs to be addressed: The role of

Sub Delay

Sub Delay has been an online outlet for our music for the past 4 years or so. Originally when we started out building the site, the plan was merely to have a website to promote the band online. However, things soon took off and all of a sudden we found ourselves having created a fully fledged music store, with support for multiple artists each having their own discography, blog etc.

The original reason for designing the site so it could contain more than one artist, was really an effort to make it easier for the two of us to produce and publish several types of music, rather than being based on any sort of ambitions of running an iTunes style music store. We would categorize compositions that were radically different in genre and sound into separate artist names (essentially aliases for the two of us), the idea being that we then wouldn't have to worry about "tainting" the image of a certain band/artist name when releasing a new track. Thus the site originally featured:

  • Tsurankeparenki - The pseudonym we half-heartedly decided to use for an Asian-inspired album that was based on recordings I had made in Japan.
  • Zonelet - My own electro(ish) tracks that were all made in a very short time mostly just as fun experiments.
  • Section Four - Supposed to be the monicker for our next "serious" project, the one we are only finishing up now.

Since the shop framework was already in place, we began discussing the possibilities of adding music made by other people and after a bit of searching, two more additions were made to the site:

  • Ovia - An acquaintance of Anders' who creates ambient music.
  • Freesscape - A Japanese/British band based in Tokyo, who's music I had come across online.

As a result the name "Sub Delay" ended up being the name of the (admittely small!) "record label" run by us, on which we released music that we liked, including our own compositions. This was all great and made sense for us for a while, but as we soon found out, it also came with its own set of problems, for example when trying to promote our own music.

When pointing people who showed interest in our music to the site, we would more often than not be met by questions like "Which songs did you do?", "What is your band name?", "Is your band called Sub Delay?" etc. It obviously wasn't clear from looking at the site what music we were responsible for, and also when creating accounts on other music community websites, we were faced with still more problematic questions such as whether to create an account for every band/project, or just one for our "label" and so on.

We are now getting ready to redesign not only the site, but our identity as a band as well, and it is this process I have been thinking about recently. Although the site still remains unchanged at the time of writing, we are planning to change things around a bit in the coming months, thus the title of this blog post.

Sub Delay Artist Page

Our first decision has been to consolidate all the music we make under one artist name. For this purpose we have chosen to reappropriate the name "Sub Delay" from being the name of the store/label to being our new (and perhaps final?) band name. It has to be said, we definitely never have been masters of thinking up good names, which is probably another reason why we change them so often! As with most of our other aliases there is no deeper meaning to the words (my friend Michael says it reminds him of sandwiches?) but "Sub Delay", for what its worth, is the name that has survived the longest so we will probably be able to live with it in the years to come.

Another issue (that we haven't actually talked about yet since I just thought of it 10 minutes ago) that will probably dramatically affect the layout of the site, is what "format" we are going to present and sell the songs in (that's "format" as in "style" or "arrangement", I am not talking about MP3 or Flac!).

Although the implementation on the original site was perhaps flawed, I still think there was some sense to the idea of having the freedom to create different "projects" without having to worry about whether it fit within a certain genre or image we had established. Having constraints like this can actually be good for productivity in some cases, but I believe that having more creative freedom may be quite crucial in staying motivated and excited when it comes to music composition (at least for me) and I would like the new site to support this aspect.

I think one major failing with the current site is that we are presenting the music in the form of "releases" consisting of batches of songs complete with their own original cover artwork and descriptions. In essence what we need to figure out, is a way to be able to easily release new tracks, without having to go through the extra work of packaging them, while still leaving room for the occasional "milestone" album release, since I believe even in this the age of the iPod Shuffle there is still definitely something to be said for being presented with a carefully sequenced collection of songs supporting a common idea or theme.

And...we have to do this in a way that makes sense within a website and is easy to understand and navigate through for visitors to our site...Lots of stuff to get started on!